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Esteban, now a wealthy man, begins construction on a mansion, which soon comes to be known as the big house on the corner, and Clara invites Férula to move in with them. After their honeymoon, when they arrive at the house for the first time, Clara faints when she sees Esteban has made Barrabás made into a rug. The astonishing debut of a gifted storyteller, The House of the Spirits is both a symbolic family saga and the story of an unnamed Latin American country’s turbulent history. Although they enjoy the sexual pleasure that their relationships bring, Allende’s women do not give their spirits or their minds with the abandon that their lovers would wish.
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He violently beats Blanca, and when Clara objects, Esteban knocks out Clara’s teeth. Férula and Clara settle into a comfortable routine without him and grow incredibly close. Férula waits on Clara hand and foot and resents Esteban and the masculine disruption he brings to the house. Clara talks endlessly to her unborn child, which she knows is a girl and has already named Blanca.
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A roasted pig arrives as a gift from the southern voters, along with a decanter of the finest brandy. Within days, the pig is gone, and Clara announces there will be an accidental death in the family. The next day, Rosa develops a fever, and the family physician, Dr. Cuevas, orders sweet lemonade with a splash of liquor.
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The military regime attempts to eliminate all traces of opposition and eventually comes for Alba. She is made the prisoner of Colonel Esteban García, the son of Esteban Trueba's and Pancha Garcia's illegitimate son, and hence the grandson of Esteban Trueba. During an earlier visit to the Trueba house, García had molested Alba as a child.
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Alba follows Blanca’s lead and begins hiding wanted revolutionaries in the house until she can help them escape the country, but Esteban knows nothing about it—or that the police have their house under surveillance. Alba, however, breaks the cycle of hatred and revenge perpetuated by Esteban García. Though she contemplates the pleasures of “getting even” with her torturers, she finally concludes that any revenge would result in yet another generation of violent abuse, torture, and rape.
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Alba embraces this ambiguity, however, loving her unborn child as above all, it is her own. Alba resolves that she will not seek vengeance on those who have injured her, choosing to believe in the hope that one day the human cycle of hate and revenge will be broken. Alba is revealed to be the narrator of the novel, which she writes while she waits for Miguel and for the birth of her child. Esteban Trueba eventually moves to the Trueba house in the capital as well, although he continues to spend periods of time in Tres Marías.
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Esteban is furious and claims he won’t tolerate a suffragette wife espousing nonsense, but she pays little attention and continues her talks with the peasants. Clara becomes pregnant again—which Férula takes as a personal insult—and they go back to the big house on the corner, where Clara gives birth to twin boys, Jaime and Nicolás. The night Clara gives birth, Esteban goes to the local brothel, the Christopher Columbus, where he is surprised to find Tránsito Soto. She offers to pay back the 50 pesos, but Esteban says he would rather she owe him a favor. Esteban decides not to return to the mine and goes instead to Tres Marías, his family’s rundown hacienda. When Esteban arrives, the estate is in ruins, and a peasant named Pedro Segundo García has been serving as unofficial foreman.
Allende's 'House of the Spirits' Challenged in NC High School - News Letter Journal
Allende's 'House of the Spirits' Challenged in NC High School.
Posted: Tue, 22 Oct 2013 07:00:00 GMT [source]
Shortly after this, Clara's sister, Rosa the Beautiful, is killed by poison intended for her father who is running for the Senate. Clara is shocked into muteness after witnessing the autopsy performed on her sister's body. Rosa's fiancé, a poor miner named Esteban Trueba, is devastated and attempts to mend his broken heart by devoting his life to restoring his family hacienda, Las Tres Marías, which has fallen into poverty and disrepair.
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The Palacios run it to this day, stocking books for every stage of childhood and parenting, stuffed animals, and gifts. Alba and Esteban, linked by both familial bonds and by shared narrative roles, establish a set of opposites at the heart of the novel. Esteban is the product of both his generation and his class, the landed aristocracy; Alba, in contrast, entangles herself with progressive social upheavals and radical beliefs—many in direct opposition to her grandfather’s views. But the old man truly loves, respects, and perhaps understands his granddaughter. She spends her childhood between the Truebas' house in the capital and Tres Marías, where she forms an intense connection with a boy named Pedro Tercero García, the son of Esteban's foreman. Their friendship endures, though they only see each other in the summer, and upon adolescence they become lovers.
He rapes many of the peasant women and children, and his first victim, then 15 year old Pancha García, becomes the mother of his bastard son, Esteban García. With Esteban's help, she becomes a wildly successful brothel madam in the city and always is willing to repay the favor to him. The emphasis on the lives and loves of several generations of women, an important element of Allende’s writing, blends particularly well with the novel’s magical and supernatural elements. The novel also determinedly portrays the sudden upheaval and personal damage caused by the victory of a military dictatorship. Using an unnamed country in the novel, but easily recognizable as Allende’s homeland of Chile, The House of the Spirits examines the social changes and governmental actions leading to the development of the country’s dictatorship. From the feminist changes advocated by Nívea to the communist government preceding the military takeover and vehemently despised by Esteban, the novel presents a segment of the history of the author’s country.
The only daughter left is Clara, Severo says, and she refuses to speak and sees ghosts. Esteban falls madly in love with Clara, and they soon announce their engagement at a lavish party, during which Barrabás is mysteriously stabbed and dies in Clara’s lap. Severo and Nívea fear the dog’s death is a bad omen, but the wedding plans progress.
Indeed, at every turn Esteban advocates the continuation of the traditional social strata that have given him his power and authority. Marxism, or communism, the movement overthrown by the military dictatorship, threatens his unquestioned power and his continued oppression of the lower classes. But despite his initial support of the dictatorship, Esteban does not thrive under its rule. He is unable to protect Alba from “disappearing” into its prisons and unable to save her from the torture, rape, and abuse inflicted by Esteban García, the product of her grandfather’s rape of a young peasant girl.
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